Media personality Edwin Katamba, popularly known as MC Kats, has accused the Uganda National Musicians Federation (UNMF) of failing to account for funds he claims were allocated to support the medical treatment of singer Fille Mutoni.

MC Kats, who has been vocal about Fille’s struggles and recent hospitalisation, took to social media to question what he described as unexplained government money allegedly channelled through the federation. In a strongly worded post, Kats claimed that UNMF leadership had publicly cited specific amounts meant to support both Fille and himself, money he insists was never received.

“I say protecting the gains, I don’t mean we don’t go through the pain,” Kats wrote. “I mean people are given government money to protect the gains but take it.”

He directly tagged the Uganda National Musicians Federation and its president, Eddy Kenzo, alleging that Shs15 million was said to have been given to Fille for her treatment, while Shs10 million was reportedly allocated to him.

“You gave Fille 15m and me 10m. Where did we ever get the money?” he questioned. “Can government bring people to account, or you want graveyards?”

The post quickly gained traction online, sparking debate within the creative industry and among fans, with many calling for transparency and clarity regarding funds intended to support struggling artists.

But is Mc Kats okay?
Quick recovery to Fille ?#SqoopUpdates pic.twitter.com/EDPCRUjqEj

— SQOOP; It’s Deep (@MonitorSqoop) January 9, 2026

As of publication, neither the Uganda National Musicians Federation nor Eddy Kenzo had issued an official response addressing MC Kats’ allegations.

Fille, once one of Uganda’s most promising vocalists, has in recent years battled personal and health challenges that have repeatedly drawn public concern. Her latest hospitalisation has once again reignited conversations about mental health, addiction, and the welfare structures available for artists in Uganda.

The allegations now place fresh pressure on UNMF, an organisation that has positioned itself as a key advocate for musicians’ welfare, to publicly account for funds meant to support artists during times of crisis.

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